WHAT IS THE PROPER COLOR SCALE FOR MEASURING AND CORRECTING COLORS ON PRESS?
There is been much discussion on which is the proper scale or measurement value to use when correcting an ink on press. For many years, or even the majority of the time that we have been printing ink on paper, pressman have reached for their densitometers to check this variable. We all know that a densitometer is basically a color blind device and is only measuring how much ink is on the substrate and not giving us very much help as to whether the ink is the right color or not.
Over the last few years there has been a tremendous push to get printers to use a scale that is more accurate for both color and intensity than just a simple density value. Many printers have begun to use L a b or L c h values instead of the traditional density value. On the surface this would appear to be a much more accurate method because the pressman would be using values that indicated more than just the intensity of the color printed. However this method also can create a problem.
Let me discuss one of the most common real-world examples of trying the control a printed sample using L a b or L c h values. If we were to print a standard process yellow on a white paper or board, this seems like a fairly straightforward operation. However this combination of ink and substrate can be very misleading when checked just using the L value. For example, I printed a full strength process yellow and then cut the ink 50%. In measuring the L value of this 50% cut, there is only a 0.6 dL difference between the 2 samples. To make the example more dramatic I then cut the 100% process yellow ink to only 10%. There now is only a 0.8 dL difference between the 2 samples.
So for this 90% cut in the full strength yellow ink, we are only seeing a 0.8 difference in the L value. This could be very misleading to a pressman as he sees a relatively small change in L for a very large difference in the yellow ink.
The place that this change in the yellow ink strength really shows up is in the chroma value. For the sample that I cut in half the change in the chroma value is -7.27. For the ink sample cut by 90%, the change in the chroma value is -24.73. From this example I hope it is easy to see that making a change based on chroma would have much more influence than making the change based on lightness. There are other parts of color space were different behaviors are encountered and it would be nice for software to assist the printer in making the right decision based upon where they were in color space.
To help solve this problem, MeasureColor has developed ChromaPLUS technology. This technology looks at what part of color space that the inking question resides and helps predict what the right correction would be based on either the L, c, or h value. We believe that this technology will greatly assist the printer in making the right corrective action.
When we first discuss this technology with our customers, many of them are skeptical in its application. But it usually does not take very long before we are contacted and a success story is related to us. The ChromaPLUS technology is included in all levels of MeasureColor and we believe is a tremendous help in the pressroom over any other commercially available systems.








Monday, February 20, 2012 at 11:04AM